李奎壁 LI, Kuei-Pi

1991年出生於台南,作品關注於當代社會中的生產型態,並且透過挪動與改造現有的生產關係做為藝術計畫主要的運作方式,最新的嗜好是收集民俗偏方與不同年份不同地區的黃頁。

  • 2016「Re:」,荒原藝術,新北市,台灣
  • 2016「公共科診間」,能盛興國際藝術村,台南,台灣
  • 2016「再見蔣先生」,關係工作室計畫發表,朱銘美術館,台北,台灣
  • 2015「如果有一間書店」,關係工作室計畫發表,伊聖詩私房書櫃,台北,台灣
  • 2015「我們哪時才有第一部國產車」,關係工作室計畫發表,十八巷五號藝術空間,台北,台灣

Born in Tainan, 1991. Li, Kuei-Pi earned her MFA from the Department of Fine Arts, Taipei National University of the Arts. Her work is mainly focused on the production pattern in the modern society, whose operating patterns in artistic programs are mostly through shifting or reforming existing production relationship. Her latest hobby is collecting folk remedies and yellow pages in different years and districts.

  • 2016 "Re:", Wasteland Art Space, Taiwan
  • 2016 "Division of the Commons", Neng Sheng Xing Factory, Taiwan
  • 2016 "Good bye Mr.Jang", Jumg Museum, Taiwan
  • 2015 "If a Bookstore Could Be..", Escents Bookcase, Taiwan
  • 2015 "When Can We Have the Ability to Produce our Very First Domertic Car on Our Own?", NO.5,Ln.18,Art Space, Taiwan
Yong-Li No.1 Breeding Program
  • 花卉、影像、文件、現成物 | 依空間而定 | 2016
  • Mixed Media | Dimensions Variable | 2016

吳思嶔 WU, Sih-Chin

1985生於台南。畢業於國立台北藝術大學美術創作研究所。藝術家於2013年赴澳洲生活一年半,在截然不同的生活經驗與文化差異影響了吳思嶔的創作路徑,近期作品開始轉向描繪人、動物與自然之間的詮釋方法與當下處境,從重製死亡動物的肉體,想像牠們曾經歷的遭遇,將身體塑造成一種靜止物件的存在,再透過藝術家個人生命經驗轉化之,試圖創作出新的藝術形式語彙與其自身所關注道路方向。

  • 2016「澳大利亞 - 吳思嶔個展」,絕對空間,台南,台灣
  • 2016「日日湯瑪森」,雙方藝廊,台北,台灣
  • 2015「何以為度? - 福爾摩沙雕塑雙年展」,駁二藝術特區,高雄,台灣
  • 2015「我們都是時代的砲灰」,台北國際藝術村,台北,台灣
  • 2011「兩個末日」,國家藝文園區美術館,新竹,台灣

Born in Tainan, 1985, Wu, Sih-Chin earned his MFA from the Department of Fine Arts, Taipei National University of the Arts. The artist had stayed in Australia for one and half a year since 2013. The distinct life experiences and cultural shock he got there profoundly affected his creative approach. The focus of his recent artworks has been shifted on interpreting the living conditions of human beings and animals as well as their relations to the nature. He has embarked on re-creating the bodies of dead animals, thereby imagining the throes they had been in and transforming the bodies into the presence of still objects by reference to his personal life experiences. In this sense, the artist expects to develop trail-blazing vocabulary of art and to re-orientate himself in terms of his creative approach.

  • 2016 "Australia - Wu, Sih-Chin Solo Exhibition", Absolute Space, Tainan, Taiwan
  • 2016 "Everyday Thomassons", Double Square Gallery, Taipei, Taiwan
  • 2015 "Icommensurable – Formosa Sculpture Biennial", Pier-2 Art Center, Kaohsiung, Taiwan
  • 2015 "We're All Cannon Fodder of this Epoch", TAV, Taipei, Taiwan
  • 2011 "Two Ends", Art Museum @ The Art Park, Hsinchu, Taiwan
Untitled / Mt. Eliza
  • 影像輸出 | 依空間而定 | 2016
    單頻道錄像 | 10' 12'' | 2016
  • Inkjet Print | Dimensions Variable | 2016
    Single Channels Video | 10' 12'' | 2016

陳以軒 CHEN, I-Hsuen

畢業於輔仁大學廣告傳播學系,後於紐約普瑞特藝術學院獲得攝影碩士,以臺北和紐約兩個城市作爲創作基地,影像為主要創作媒材。2014年2月於關渡美術館舉行《你是懂了嘛(Nessun Dorma)》個展,其中主要的錄像作品中陳以軒為義大利歌劇詠嘆調〈公主徹夜未眠〉配上音譯中文字幕,成為無意義中帶有意義的戲謔獨白,呈現臺上臺下盲目因襲的崇拜。其作品《遍尋無處(Nowhere in Taiwan)》系列尋找自我與土地的認同,於2012年起在紐約展出,後被收爲休士頓美術館(Museum of Fine Arts, Houston)的永久館藏。

  • 2016 「當下檔案・未來系譜:雙年展新語」臺北雙年展,臺北市立美術館,台北,台灣
  • 2016 「靜物研究II:島民」,海馬迴光畫館,台北,台灣
  • 2015 「我出國了,然後我回來了」,臺北市立美術館,台北,台灣
  • 2014 「靜物研究」,竹圍工作室,台北,台灣
  • 2014 「你是懂了嘛」關渡美術館,台北,台灣

A young up rising Taiwanese artist who graduated from Fu Jen Catholic University, Department of Advertising & Public Relations, and received his MFA in imagesgraphy from Pratt Institute. February 2014, He had another solo exhibition Nessun Dorma in Kuandu Museum of Fine Arts, where he sang the famous aria, "Nessun Dorma,"and replace each phonetic of the song with Chinese character, presented in a way that feels like subtitle, but meaningless. He create this sarcastic statement on how the audience blindly worship something due to its fame not of its significance.

His imagesgraphy "Nowhere in Taiwan "series, a journey of self-exploration and self-identification, is collected by the Museum of Fine Arts, Houston, as the permanent collection after the New York exhibition.

  • 2016 "Gestures and archives of the present, genealogies of the future: A new lexicon for the biennial", Taipei Fine Arts Museum, Taipei, Taiwan
  • 2016 "Still Life Analysis II : The Island", Fotoaura, Tainan, Taiwan
  • 2015 "I Went Abroad, and then I Went Back", Taipei Fine Arts Museum, Taipei, Taiwan
  • 2014 "Still Life Analysis", Bamboo Curtain Studio, Taipei, Taiwan
  • 2014 "Nessun Dorma", Kuandu Museum of Fine Arts, Taipei, Taiwan
Nowhere in Taiwan
  • 攝影裝置 | 依空間而定 | 2011
  • Archival inkjet print | Dimensions Variable | 2011